Dance Art Foundation
Trustees
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Rebecca Niblock
Solicitor, Dalton Holmes Gray
Rebecca Niblock is an associate solicitor at Dalton Holmes Gray. She completed a PhD in Art History in 2004 and is a keen supporter of Dance Art Foundation.
Rachel Parslew
Producer and consultant
Rachel Parslew is an independent producer and consultant with extensive experience of arts management and a passion for dance. She started her career working in venues in Oxford, Bury St Edmunds and Cambridge. Freelance since 1997, Rachel has a strong track record in fundraising and strategic development. She frequently works on an associate or interim basis with organisations and has held the posts of Associate Executive Director for Siobhan Davies Dance, Interim Executive Director for Kadam Asian Dance and Music Limited and Development Associate for Candoco Dance Company. Rachel’s work also embraces theatre and film, and she has developed a particular interest in China, working on a portfolio of cultural exchange projects and visiting the country regularly since the 1990s.
Tom Rogers
Theatre Designer
Tom Rogers graduated from the University of Bristol with a BA Hons in Drama; Theatre, Film and Television and continued his training at the Motley Theatre Design Course. He was a Linbury Prize finalist in 2005 for his work with Wayne MacGregor for Random Dance at Sadler’s Wells and he was also short listed for the Jocelyn Herbert Award for Theatre Design in 2005. His forthcoming productions include Les Amoureux for Chordelia Dance Theatre and other recent productions include The Secret Marriage for Scottish Opera, City of Angels for Guildhall school of Music and Drama, La Fille Du Regiment for Opera Holland Park and La Cenerentola for Scottish Opera.
Nikki Tomlinson
Dance Artist/ Artist Advisor, Artsadmin
Nikki Tomlinson is an artist who creates body-based work that is influenced by interests in landscape, architecture, improvisation into composition, and has worked with Artsadmin in London as Artists’ Advisor since 2004. She studied at Birkbeck College, London (Postgraduate Diploma in Performance 2000-1) and at Manchester University (BA History 1989-92) and has worked as Course Leader in ESOL and Refugee Advisor at Hackney Community College, more recently as a Lecturer in Performance Studies at Birkbeck College. During a sabbatical from Artsadmin Feb - July 2008, she was based in Barcelona, working on an advisory research project with La Caldera, observing L'animal a l'esquena's new MA programme and developing the new work Folk Dance.
